THE BREAKFAST CLUB - A Delicious offering

There are certain movies which you hear of while growing up but somehow forget about or take a long time to finally watch it. And after you finish watching it, the first reaction is " How the hell did I miss this movie all these years......its damn gooooddddddd". Well, The Breakfast Club is one such movie for me. For years, I had been hearing the name of this movie being mentioned on and off, but it wasn't until last year that I actually gave it a shot and I am sure the experience of watching it will stay with me for years to come.

For those reading who honestly haven’t seen it , The Breakfast Club is the story of five high schoolers who are forced to serve detention on a Saturday. The five are seated in the school library and watched over by their angry principal, Richard Vernon (played by Paul Gleason). Vernon assigns them an essay to write, then heads back to his office, occasionally spot-checking back in on them but otherwise leaving the teens to themselves. The teens begin the day with nothing in common, as each of them come from distinctly different places and different strata of society. But the five bicker, banter, battle and bond and before the day is out, friendships and romances have formed. For a movie that is essentially five actors on a single set with no action and no clear antagonist, this film does an incredible job of engrossing the viewer.The Breakfast Club no-doubt presents stereotypical characters, and every member represents countless real-life examples. But what makes it so enjoyable is that applies a variety of themes to its context: prejudice/discrimination, acceptance/tolerance, diversity, class/status differences, family matters, group dynamics, etc. It also encourages us to look at others and ourselves beyond surface-level appearances. As the day progresses, the interchanges between them force reconsideration of their positions. Eventually, once the barriers have been broken and the teens have accepted that they can relate to each other after all, the common struggle that they’ve shared to arrive at that point leaves them with a strong bond. They wind up sharing amongst each other in an open and honest environment, revealing feelings and fears that they obviously would have never shared otherwise.

 As mentioned by someone, this movie has a universal appeal and is timeless - probably with the exception of the fashion sense. It doesn't matter if you have completed your high school 20 years ago or 2 years ago, these are issues that existed then, exist now, and will probably exist forever.Watching the kids slowly open their hearts out to each other and, the occasional song and dance thrown in makes this a pleasure to watch. Though the majority of the credit for this movie is often given to the director John Hughes, the 5 actors were just as brilliant.

Its really a shame that none of the actors, save Molly Ringwald, never went on to make it big. Judd Nelson as Bender was the Criminal whom everyone hates and he looks just like young Al Pacino and gives a nice performance. I thought the best of the pack was Emilio Estevez as Andrew Clark the Athelete who was intense to start with but really transforms to the most funny guy by the end of the movie. Ally Sheedy as the Basketcase was the cutest and the most unpredictable who brought a completely different dynamic in the group. Anthony Michael Hall as the Brain and Molly Ringwald as the princess are as different to each other as it can be possible, but by the end of their time serving detention, they too find a common ground. Every single actor gives in a commendable performance and it can be safely assumed that this was their finest performance in each of their career.

In the end, the writing, the acting and the exploration of universal themes make this movie a movie for the ages.  We have all encountered  the Brain, the Athlete, the Basket Case, the Princess, and the Criminal, but never had a chance to form the breakfast club. Lets just say this movie is a reflection of that wish within us and we would preserve it all our life.

WORTHY MENTIONS

John Hughes wrote the screenplay to this movie in just two days (4 and 5 July 1982). 

Molly Ringwald was originally asked to play Allison but wanted to play Claire, she eventually convinced John Hughes and the studio and was given the part. 

MY VERDICT

**** 1/2 - Ageless Movie

BEFORE MIDNIGHT - I wished the night never ended

For some of us, the on screen romance that has slowly played out between Julie Delpy and Ethan Hawke over the course of two decades – and now three spectacular movies – is part of the fabric of our cinematic lives. We have sort of grown with them and feel the same feelings they felt at different junctures in their lives. Richard Linklater is probably the greatest storyteller of our generation who conceived this wonderful yet simple trilogy.

In Before Sunrise, the actors - whose improvisations and revisions added much to an original script by Richard Linklater- played two young travelers whose lives cross during a talk-filled night in Vienna. Nine years later, Delpy and Hawke were sharing screenwriting credits- and an Oscar nomination- for Before Sunset, wherein the couple meet for only the second time, their respective lives having moved on, but the brief encounter spark between them still clearly very much alive. That film ended on an ambiguous note – a teasing spine-tingler that left the audience to decide whether Jesse catches the plane back to his old American life, or stays in Paris for something more...

 Before Midnight takes place nine years after the events of Sunset. Jesse and Céline are still together and have managed to have twin girls, Nina and Ella, and are living in Europe. The film takes place at the tail end of a six-week vacation in Greece where Jesse has just dropped off his thirteen-year-old son Hank, from his previous marriage, at the airport for his return back to Chicago. Realizing that he's missing the formative years of Hank's teenage life, Jesse and Céline explore the option of possibly making a move to America, leaving opportunities and a life in Europe behind. Obviously there's no big fantasy battle or a near death experience for the meaning of life to be physically explained but in the power of words, and words alone, Before Midnight manages to become the benchmark for screen writing and brilliant storytelling for years to come. There are long takes for the viewer to be present whether it's in an airport conversation between Jesse and Hank or at a lunch with in the beautiful valleys of Greece or even in a hotel room where a man and a woman share intimacy like older lovers typically do.The whole film basically consists of these three scenes but if you are a follower of the series, you would know it would not feel boring for one single moment.

This film  is a lot more melancholic in tone than the previous two installments, but life is not all about the sparky romances and the excitement of impulsive decisions, is it???? Once life settles in, there are responsibilities and decisions are to be made which much thought behind them, and as Jesse and Celine finds out, it is often a case of conflicting choices and making compromises. Before Midnight portrays the not so romantic but practical side of a couples life after having kids and settling after marriage.Time was when they mesmerised one another with their ramblings about life and art; now, it's a disillusioned account of what they've done to one another. Is it fair for Jesse to ask Celine to move to Chicago with him? Is it justified for Celine to blame Jesse for her lack of development in her musical career?? Who has made the more compromises and sacrifices??? These are questions which are to be decided by the audience but somewhere some of these questions haunts the life of couples at one point or the other, and the two lead actors, as usual, has given a near realistic depiction of the situation. I was particularly impressed with Julie Delpy, who has given her best performance so far in the series. Her portrayal of  a bimbo and the Woody Allenesque one liners were just brilliant.

 What the film conveys so impressively is the scene-by-scene, almost moment-by-moment uncertainty of what will happen to the couple next. Theirs has always seemed a passionate but fragile bond, and the way they stare at a slow-sinking sun towards the end casts an ambiguous haze over what their future holds. Will they get over their differences or the tension is too much?? I am not sure if there will be a fourth installment , but if there is not, some viewers may complain that the ending was not they expected . But life is not always as we want them to be, isn't it????

WORTHY MENTIONS

This movie was shot in 15 days.

Dedicated to the memory of Amy, the woman who was the inspiration for Before Sunrise (1995). Richard Linklater had spent a night walking and talking around Philadelphia with her, but eventually they lost contact. Some time between Before Sunset (2004) and Before Midnight (2013), he finally learned that Amy had died many years before in a traffic accident, so he dedicated the movie to her.

MY VERDICT

**** - Don't miss this if you are a fan of the series.

ANNIE HALL - A comedy classic

Woody Allen probably has the longest lead time for a director between my having heard of him and my having seen one of the films he directed. I’m fairly sure I first heard of him when I was a kid, seeing his name come up on occasion in the Academy Awards (why I was watching the Oscars when I was too young to understand any of the films is a question I cannot answer.) Yet the first time I watched a film he directed was maybe early 2005, with Match Point.  Of course, I knew something of what to expect from Annie Hall, about which I heard some rave reviews. I knew it was a romantic comedy, and by reputation an unorthodox one. And I knew Woody Allen would be playing a neurotic New Yorker, because Woody Allen is pretty much impossible to picture as anything else. What I wasn’t sure on was how well I would appreciate the humor. 

New York certainly has a strong presence in Annie Hall, but the humor is framed in a way that makes it more relatable. It’s a love story. A broken, fragmented love story about a relationship that we’re told right from the beginning has already fallen apart. Everybody’s had some form of relationship, doomed or not, and usually a fair mix of each. Not everybody has the same neuroses that Alvy (Woody Allen) or Annie (Diane Keaton) have, but we’ve all probably had some neurotic moments in a relationship. Allen shows these moments in multiple different ways during the film, from subtitling it with the characters’ thoughts, to having Alvy “interview” random passers-by to get their thoughts on his relationship with Annie. It’s as if each anecdote of their lives is a different experimental film. And though the story is told in bits and pieces and out of order — like a man’s rambling memories — we see the whole thing unfold, from their awkwardly cute meeting to the relationship’s eventual self-destruction as Alvy’s efforts to get Annie to grow into him cause her to grow away from him. Yet even most of the sadder moments involve some humor.

 

And along the way, it casually introduces New York City itself as a character - just like Tokyo in Lost In Translation. Not a major one. Just a minor but recognizable side character.  And as Annie spreads her wings to pursue a career in Beverly Hills, that city reflects hers. But it’s also more relaxed and more willing to embrace new things. By Alvy’s own admission, New York is stagnant. It’s shown a lot more briefly, but one gets the feeling that the Beverly Hills shown in Annie Hall is more pleasant than New York. But New York is a lot more Alvy, and one suspects more Woody Allen. There’s an autobiographical feel to the character of Alvy, which is seemingly confirmed when Alvy writes his first play — an idealized version of his relationship with Annie. The characters in the play get the typical romantic happy ending, but as Alvy says in the opening, he and Annie broke up a year before.

It’s not a typical romantic comedy. It’s not a typical anything. It’s more wistful than hopeful, more apt to go for the smile than the laugh (though it does score a few of those.). It’s purposefully disjointed in its storytelling, giving the impression of somebody very meticulously pounding puzzle pieces into the wrong spaces. And somehow, it all works to create an enjoyable film, one that probably requires more than one viewing to fully appreciate, but which is certainly appreciable on the first outing.

 

WORTHY MENTIONS

 

In winning the BEST PICTURE award in 1977 it edged out "Star Wars," an outcome unthinkable today. 

Diane Keaton's real name is Diane Hall and her nickname is Annie.

 

MY VERDICT

**** 1/2 - A Classic not to be missed